Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance. It is in the Opera House that he encounters Christine Daaé whom he trains in secret to become a great singer. Erik’s passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale. Gaston Leroux's novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published. 208 page paperback.

Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. With an introduction and notes by David Ellis, University of Kent and Canterbury. Paperback, 704pp.

Christina Rossetti is widely regarded as the most considerable woman poet in England before the 20th century. No reading of 19th century poetry can be complete without attention to this prolific and popular poet. Rossetti's inner life dominates her poetry, exploring loss and unattainable hope. Her divine poems have a freshness and toughness of thought, while many of her love poems are erotic, and as often express love for women as for men. The varied threads of Rossetti's concerns are drawn together in what is perhaps her greatest poem, the strange and ambiguous Goblin Market. Paperback, 304pp.

Lucia is one of the great comic characters in English literature. Outrageously pretentious, hypocritical and snobbish, Queen Lucia, 'as by right divine' rules over the toy kingdom of 'Riseholme' based on the Cotswold village of Broadway. Her long-suffering husband Pepino is 'her prince-consort', the outrageously camp Georgie is her 'gentleman-in-waiting', the village green is her 'parliament', and her subjects, such as Daisy Quantock, are hapless would-be 'Bolsheviks'. In Lucia in London, the prudish, manically ambitious Lucia launches herself into the louche world of London society. Her earnest determination to learn all about 'modern movements' makes her the perfect comic vehicle for Benson's free-wheeling satire of salon societ, and of the dominant fads and movements of the 1920s, including vegetarianism, yoga, palmistry, Freudianism, séances, Post-Impressionist art and Christian Science. Meanwhile in Tilling, clearly modelled on Benson's home town of Rye, Miss Mapp consumed by 'chronic rage and curiosity' sits at her window, armed with her light-opera glasses keeping baleful watch on her neighbours. 'Anger and the gravest suspicions about everybody had kept her young and on the boil': and Benson transmutes her boiling into a series of small humiliations in his witty, malicious comedy. In his insightful Introduction Keith Carabine appreciates Benson's humour whether droll, farcical, excruciatingly malicious, his 'camp' treatment of sex and his moral vision. Titles in volume one are Queen Lucia, Miss Mapp and Lucia in London. 632 page paperback. New from Wordsworth.

In The Descent of Man Darwin addresses many of the issues raised by his notorious Origin of Species: finding in the traits and instincts of animals the origins of the mental abilities of humans, of language, of our social structures and our moral capacities, he attempts to show that there is no clear dividing line between animals and humans. Most importantly, he accounts for what Victorians called the 'races' of mankind by means of what he calls sexual selection. This book presents a full explanation of Darwin's ideas about sexual selection, including his belief that many important characteristics of human beings and animals have emerged in response to competition for mates. This was a controversial work. Yet Darwin tried hard to avoid being branded as a radical revolutionary. He is steeped in Victorian sensibilities regarding gender and cultural differences: he sees human civilization as a move from barbarous savagery to modern gentlefolk, and women as more emotional and less intellectual than men, thus providing a biological basis for the social assumptions and prejudices of the day. The Descent of Man played a major role in the emergence of social Darwinism. This complete version of the first edition gives the modern reader an unparalleled opportunity to engage directly with Darwin's proposals, launched in the midst of continuing controversy over On the Origin of Species. New from Wordsworth. Paperback, 674pp with b/w illus.

Renee Descartes (1596-1650) was the father of modern philosophy and one of the greatest thinkers in history. His genius lies at the core of our contemporary intellectual identity. He broke the conventions of his own time and suffered persecution by the Church as a consequence. Most of his writings are philosophical classics, attempting to answer questions surrounding the self, God, free will and knowledge and using the science of thought as opposed to received wisdom based on faith. This edition is the most comprehensive one-volume selection available and includes his great essay, Discourse on Method. 407 page paperback.

Gibbon's The History of the Decline and Fall of the Roman Empire, published between 1776 and 1788, is the undisputed masterpiece of English historical writing which can only perish with the language itself. Its length alone is a measure of its monumental quality; 71 chapters, of which 28 appear in full in this edition. With style, learning and wit, Gibbon takes the reader through the history of Europe from the 2nd century to the fall of Constantinople in 1453 - an enthralling account by 'the greatest of the historians of the Enlightenment'. This edition includes Gibbon's footnotes and quotations, here translated for the first time, together with brief explanatory comments, a précis of the chapters not included, 16 maps, a glossary and a list of emperors. 1,088pp, paperback. Great value.

Walt Whitman's verse gave the poetry of America a distinctive national voice. It fits into no previously defined genre and skilfully combine autobiographical, sociological and religious themes with lyrical sensuality. His verse is a fitting celebration of a new breed of American and includes 'Song of Myself', 'Crossing Brooklyn Ferry', the celebratory 'Passage to India', and his fine elegy for the assassinated President Lincoln, 'When Lilacs Last in the Dooryard Bloom'd'. 592pp. Paperback.

Njal's Saga is the finest of Icelandic sagas, and one of the world's great prose works. Written in about 1280, about events a couple of centuries earlier, it is divided into three parts: the first recounts the touching friendship between the noble Gunnar and the statesman Njal, together with the fatal enmity of their wives. The second part works out the central tragedy of the saga, while the third describes the retribution wrought by Flosi and Kari. The saga is remarkable not only for the details of everyday life - the farming, the feasting and the charcoal-burning - but also for the social structures of the society in which that life took place - the Althing or Parliament, the lawmaking and the lawgiving. 384pp. Paperback.

Goethe's 'Faust' is a classic of European literature. Based on the fable of the man who traded his soul for superhuman powers and knowledge, it became the life's work of Germany's greatest poet. Beginning with an intriguing wager between God and Satan, it charts the life of a deeply flawed individual, his struggle against the nihilism of his diabolical companion Mephistopheles. Part one presents Faust's pact with the Devil and the harrowing tragedy of his love affair with the young Gretchen. Part Two shows Faust's experience in the world of public affairs, including his encounter with Helen of Troy, the emblem of classical beauty and culture. The whole is a symbolic and panoramic commentary on the human condition and on modern European history and civilisation. This new translation of both parts of Faust preserves the poetic character of the original, its tragic pathos and hilarious comedy. In addition, John Williams has translated the 'Urfaust', a fascinating glimpse into the young Goethe's imagination, and a selection from the draft scenarios for the Walpurgis Night witches' sabbath - material so ribald and blasphemous that Goethe did not dare publish it. 468pp. Paperback.