Elizabeth Barrett Browning was such an acclaimed poet in her own lifetime that she was suggested as a candidate for the Poet Laureateship when Wordsworth died in 1850. Yet today we have only a limited knowledge of her considerable life's work as a poet, in part because of a lack of representative but accessible editions of her work. Readers will find here not only her well-known sonnet sequence of love poems, Sonnets From the Portuguese, but also lesser known sonnets, some in praise of the cross-dressing bohemian writer George Sand, others to contemporary poets and artists. Her religious and spiritual poetry echoes that of the Metaphysical poets. A different voice emerges in her social and political protest poems, such as 'The Cry of the Children' and 'The Runaway Slave at Pilgrim's Point'. Her experimental ballads allowed her to develop a distinctive way of writing about women within an apparently conventional form. In the outstanding work of her maturity, Aurora Leigh, the woman's voice takes centre stage. This 'novel-poem' is full of verve and interest, with a female poet-hero who casts a caustic eye on life and on her fellow men - and women. We all think we know the story of Elizabeth Barrett Browning - the mysterious illness which enclosed her in her room, her over-loving but imperious father, and her romantic, secret marriage to the poet Robert Browning and their life together in Italy. But this comprehensive selection of her poetry tells the real story of her sustained creative life as a poet, which began with her childhood poetic ambitions and ended only with her death. All the major aspects of her poetry are represented in this accessible edition which is well-annotated and contextualised, with a wide-ranging introduction which covers Barrett Browning's poetic and intellectual life as well as her personal one. Recent critical re-readings, including major feminist reassessments, of her poetry are covered in the introduction, with helpful suggestions for further reading. With an Introduction and Notes by Dr Sally Minogue. 701 page paperback.

George Orwell is a difficult author to summarise. He was a would-be revolutionary who went to Eton, a political writer who abhorred dogma, a socialist who thrived on his image as a loner, and a member of the Imperial Indian Police who chronicled the iniquities of imperialism. Both the books in this volume were published in the 1930s, "a low, dishonest decade," as his coeval W.H. Auden described it. Orwell's subjects in Down and Out in Paris and London and The Road to Wigan Pier are the political and social upheavals of his time. He focusses on the sense of profound injustice, incipient violence, and malign betrayal that were ubiquitous in Europe in the 1930s. Orwell's honesty, courage, and sense of decency are inextricably bound up with the quasi-colloquial style that imbues his work with its extraordinary power. His descriptions of working in the slums of Paris, living the life of a tramp in England, and digging for coal with miners in the North make for a thoughtful, riveting account of the lives of the working poor and of one man's search for the truth. This edition includes the following essays: Marrakech; Antisemitism in Britain; How the Poor Die; The Spike; Common Lodging Houses. 416 page paperback.

Christina Rossetti is widely regarded as the most considerable woman poet in England before the 20th century. No reading of 19th century poetry can be complete without attention to this prolific and popular poet. Rossetti's inner life dominates her poetry, exploring loss and unattainable hope. Her divine poems have a freshness and toughness of thought, while many of her love poems are erotic, and as often express love for women as for men. The varied threads of Rossetti's concerns are drawn together in what is perhaps her greatest poem, the strange and ambiguous Goblin Market. Paperback, 304pp.

This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the Odes and the two versions of the uncompleted epic Hyperion, and work which only came to light after his death including his attepts at drama and comic verse. It all demonstrates the extent to which he tested his own dictum throughout his short creative life. 512pp. Paperback.

Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. The Winter's Tale, one of Shakespeare's later romantic comedies, offers a striking and challenging mixture of tragic and violent events, lyrical love-speeches, farcical comedy, pastoral song and dance, and, eventually, dramatic revelations and reunions. Both Leontes' murderous jealousy and Perdita's love-relationship with Florizel are eloquently intense. In the theatre, the play often proves to be diversely entertaining and deeply moving. 160 page paperback.

Edited, Introduced and Annotated by Cedric Watts, Research Professor of English, University of Sussex. Variously melancholy, lyrical, joyous and farcical, Twelfth Night has long been a popular comedy with Shakespearian audiences. The main plot revolves around mistaken identities and unrequited love. Both Olivia and Orsino are attracted to Viola, who is disguised as a young man; and Viola's brother, Sebastian, finds that he is loved not only by Antonio but also by Olivia. Meanwhile, in the comic sub-plot, Sir Toby Belch and his companions outwit the vain Malvolio, who is ludicrously humiliated. While offering broad comedy, Twelfth Night teasingly probes gender-roles and sexual ambiguities. 128 page paperback.

A young man, named Dorian Gray, becomes obsessed with his own beauty and the portrait of himself painted by artist, Basil Hallward. Dorian wishes that the painting would age instead of him so that he can continue to see his younger self. Dorian begins to experiment with different hedonistic activities and desires, which unleash a series of rotting effects on the painting and expose his true evil nature. Dorian is then haunted by the consequences of his immoral actions and must decide if he will live with those consequences or die as a man. First published complete in the July 1890 issue of Lippincott's Monthly Magazine, fearing the story was indecent, the magazine's editor had requested that Wilde reduce the length. The text is taken from the Paris edition published in Montmartre, 1908. 192pp. Paperback.

Richard II is one of Shakespeare's finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England's national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare's day, it could appear subversive: 'I am Richard II', declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch. Richard II has been freshly edited by Cedric Watts. Paperback, 143pp. Glossary.

Although Tennyson (1809-1892) has often been characterized as an austere, bearded patriarch and laureate of the Victorian age, his poems speak clearly to the imagination of the late 20th century. His mastery of rhyme, metre, imagery and mood communicate their dark, sensuous and sometimes morbid messages. Much given to melancholy and feelings of aching desolation, Tennyson's verse also carries clear messages of hope: 'Ring out the old, ring in the new', and 'Tis better to have loved and lost/Than never to have loved at all'. 640pp. Paperback.

Thomas Hardy started composing poetry in the heyday of Tennyson and Browning. He was still writing with unimpaired power sixty years later, when Eliot and Yeats were the leading names in the field. His extraordinary stamina and a consistent individuality of style and vision made him a survivor, immune to literary fashion. At the start of the twenty-first century his reputation stands higher than it ever did, even in his own lifetime. He is now recognised not only as a great poet, but as one who is widely loved. He speaks with directness, humanity and humour to scholarly or ordinary readers alike. 960pp. Paperback.