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Works such as Bauhaus Stairway of 1932 and the figurines of the Triadic Ballet of 1922 integrate the viewer into the upward movement of the figures depicted in space which lends the work its timeless effect. Rarely painting a face if only in profile, there are groups of women, as seen on a balustrade, five figures between columns, Dreamer, Boy in Blue and White and Women's School, often fragmented profiles and distorted bodies, always bold in colour and shape. The name Oskar Schlemmer (1888-1943) is closely connected with the State Bauhaus which was founded in 1919. As a painter, sculptor, draughtsman and graphic artist, as a wall designer, stage designer and choreographer, Schlemmer is one of the most versatile artists of the 20th century. From his father he undoubtedly inherited the theatrical carnivalistic manner, and from his mother the contemplation and heaviness which flow into his art. His name is primarily associated with the Weimar and his paintings have become icons of classical modernism and prove the Bauhaus's claim to rethink design from scratch. It was hoped that modern, rational man could shape a better future against future militaristic developments. Schlemmer added new values and called for the unity of art, craftsmanship and architecture. Beautifully designed and produced 216 page Könemann 19cm square hardback packed with hundreds of colour reproductions.
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