Sub-titled 'The Life and Achievements of a Self-Taught Polymath, Artist and Wit from Devonshire', John Cranch was born in the same small town in the same year that Gray's Elegy was published. Taught to read and write but little else, only his own personality and talent allowed him to break free to become a respected lawyer, scholar and artist. But his story would be a dry one if thought of only in terms of social mobility, because even across two centuries his strivings, disappointments and successes have a modern human appeal. Significant amounts of his own writing and letters have survived, and the numerous quotations in this biography allow his own voice to speak to us. This took on greater historical significance when he was writing to relatives and acquaintances caught up in the events surrounding the birth of the independent United States of America. One important fact is that his uncle Richard Cranch was the brother-in-law and great friend of John Adams, second President of the United States. When John Cranch's (1751-1821) paintings appeared at auction in the 20th century, the importance of his art was finally appreciated. As a painter he often depicted domestic life of ordinary people and tradesman, popular themes of Dutch art in the period but not fashionable in England for some time afterwards. His role as mentor to the young John Constable is acknowledged nowadays. What should also be acclaimed to his fame was his pioneering antiquarian work, but despite the importance attached to preservation of ancient things, he sought to alert the world to their destruction. Cranch never married or had children. He appreciated the work of the blue stocking author Hannah More and this polymath certainly noted the talents of others which may have led to his near abandonment of his legal practice, which bored him. Long periods of his life were spent in Kingsbridge and Axminster in Devonshire, London and finally Bath. 203pp, illustrations.
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